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Learning Winglish

While kiting his wing one day, Andy, heard a distinct and quiet voice saying, “Hello”. “What?” asked Andy. Echoing through his risers and brakes, the wing quietly whispered, “You must listen closely, and I will help you become one with my fabric and the air you fly in. I will teach you to speak the physical language called ‘Winglish’.”

Andy, lost in thought over this unexpected communication, let the wing fall back to the ground. He attempted to talk to the wing by asking questions in his head, but no response. Finally, he gave up and decided to go back to his practice. As soon as the wing was airborne again, he heard, “Hello again, friend. I can only communicate with you through your risers and brakes.”

Andy had always struggled with kiting and how to anticipate events while flying. When his instructor had been teaching him the basics of kiting, he coached him with his braking to enable him to keep the wing up. The teacher would often say “left brake” several times before Andy could react as the wing moved to the left. At first he took too long to react and the wing would fall to the left side. Eventually Andy began to learn to react quickly enough to catch the wings movement. Still, there were many times when his reactions were not quick enough.

Andy began kiting again and suddenly heard, “The key to kiting, is more than using your eyes. Winglish can only be communicated through your risers and brakes. Before you can ‘hear’ Winglish, you must relax your entire body and feel the changes in riser tension and brakes. Winglish is a physical language, so the way to hear it is through the body”.

The wind gusted suddenly and slightly changed directions. The wing said, “Feel the pull changing on your harness!” Andy noticed that the pull did change the feel on his harness. The wing began moving to the right so he reacted by pulling the right brake a little after it began moving. His pull was too late and a bit too much, causing the wing to overreact to the left side and fell back to the ground.

When Andy had lofted the wing again, it continued, “You see, I have a delayed reaction to the wind when it changes. In Winglish, I can only tell you of the change through your risers and brakes. I always try to warn you of a change before I move, but you have not been listening.”

Andy had always thought his eyes were his best tool for kiting. But he now put his attention toward the feelings in the harness and brakes more than before. He waited for the wing to talk to him. Finally, he heard “Your arms are too stiff and this makes your entire body stiff,” Andy immediately he noticed that his arms and body were too tense. He concentrated on relaxing his arms and body. Like magic, the sound from the wing’s communication became clearer.

The wing spoke again, “Close your eyes and try to feel the wing move to the side”. At first Andy laughed. To continue this amazing experience, he tried it. At first the wing remained overhead, but then he felt it move to the side. The wing asked, “When I moved to the side, could you tell which side it was?” Andy admitted he had snuck a peak and checked which side the wing had moved to, but that he did guess which side the wing had drifted toward. The wing laughed, and said, “You will get this yet. Once you feel this a few times your body will become more connected to me. You see, since you got more relaxed, your kiting has already become more connected.” Andy asked what specifically he would feel in the harness when the wing moves to the side. The wing answered, “Winglish is too complex to explain that simply. It is more general of a feel than that. Your body will learn it as long as your mind is observing.”

Andy kited for a while, trying to ‘hear’ the Winglish. He worked on becoming more relaxed, specifically his arms. He also began to sense and become aware of the wing’s pull on his risers and harness. He noticed that just prior to the wing’s moving to the side, he would feel it in the harness. He closed his eyes and began to be able to feel the wing move to either side. He realized that when the wing surged forward, just before it would collapse, the lift would diminish. The first few times this happened the wing would shout, “Going, going, gone!” as the wing surged and collapsed. Andy soon learned to become aware of the diminishing lift that related to a surge so he could catch them before the collapse.

The wing spoke to Andy for the last time, “Andy, you now have learned my language. The truth is, I am really communicating to you through your body and the words you are hearing in your head are not part of the language. I will continue to speak to you in Winglish whenever you fly or kite. And if you continue to use your senses fully we can look after each other.”

Jeff Greenbaum
6-30-05

 

--- And now, a more direct approach to explain the same thing ... (Read Below)

 

There is no Secret to Kiting

I wrote the above article titled “Learning Winglish” several years ago to enlighten new students about the roles of “feel and relaxation" while kiting.

With many years of teaching sports, experience has dictated how feel is the key to good actions and reactions. Stiff muscles block the connection between mind and stimulus. As simple as it may sounds, relaxation should the 1st priority on your list when ground handling a paraglider .

There are occasionally students who can achieve a solid level of kiting without being loose and light handed. To achieve a higher level of kiting, any pilot must find a way of relaxing his muscles to enhance touch and reaction time. The mechanical and technical moves that help a pilot center the wing come secondary to being relaxed. Each task needs to be executed with supple arms enhancing how much touch can be done with the hands.

Tight muscles override the feedback that the brain requires for feel. The cycle between stiffness and intensity during kiting can also be compounding. For example, when a wing moves to the side and the pilot becomes more intense and might react by becoming stiffer, losing the touch that provides awareness of where each brake is and how much tension each one has.

I add skills little by little when teaching kiting. The biggest progress is always when the student pilot finds how important touch is. So, the secret to kiting really is not a mystery, it is simply to feel “what does what” during practice.

Leave the stiff arms in your car and try to feel all the way to your fingertips. When you pull one hand to move the wing, make sure your other hand is not pulling at the same time. This is the biggest giveaway of body tension: when a student lifts their elbows and pulls the other arm at the same time they are pulling the intended brake. With light touch and continuous awareness of relaxed arms you will get it much quicker.

If you watch pilots launch and ground handle, the best ground handlers will always be smooth and relaxed. The ones who look awkward and often out of control are usually the pilots who have not learned to relax while ground handling.

The first step in developing feel is the awareness of stiffness. Once awareness is there, then you can begin to learn to eliminate the muscle tension part of the reaction. This is one of the Zen like parts of ground handling. The mind needs to learn to react to intensity and situations without tightening the muscles.

Different levels of intensity can trigger increased fear and tightness. A pilot might be able to achieve relaxation in a steady 8 – 10 mph wind in the park, but put him on a higher hill for the first time and his ground handling can fall apart. I have seen this over and over through the years and it is easy to see the mechanics go south as a result of intensity translating to muscle tension.

Learning to stay focused and relaxed during kiting transfers directly to flying situations. By learning to remove the transfer of stiffness to the muscles from your muscle memory, you will effectively become a more capable pilot. Freeze-Ups are just not an option in aviation.

Sometimes repetition and practice can take a pilot above the threshold of fear that creates the muscle tension. The problem is that without the pilot’s prioritizing relaxation, the muscle tension can become a built in reaction to intense launching and flying situations.

For anyone who joins my classes, it will become ultra clear in the first few lessons that my focus is mostly on keeping feel and relaxation at the top of the priority list. It is critical when learning a sport like this that you have to manage your wing regardless of situation, from launch till landing. When you are practicing ground handling, it is critical that the more intense a situation, the more important it is to find a way to relax and feel. For instance, when the wing is coming up to the side and pulling you hard both downwind and sideways, if you learn to relax you will develop the ability to get the wing back overhead in such a situation.

The basics of kiting and feedback will allow any student who is relaxed to receive the physical language of Winglish. I often say to the students, “I cannot teach feel, only the wing can”. Each student must find his or her own awareness of the muscle tension and how to release it. Once the awareness of this is there, learning to kite with relaxation ever-present is just around the corner…

Jeff Greenbaum 6-3-08

 

(650) 638-9463 / (650) NET-WIND